A Spectacular Celebration – July Sale!

I am celebrating this month, and the timing couldn’t be more perfect!     

July is the month of America’s Independence Day, and I thought it would be a great time to also celebrate my success as an independent musician. No record labels, no agents…just me, a lot of hard work, and all of you terrific music lovers out there.       

I released my debut album, Key of Sea, in January of 2007. I took a leap of faith and ordered a large run of cds from my manufacturer without knowing if I would ever actually sell them all.      

       

      

About a month ago, I ran out of cds.  This was a GOOD problem to have.  Not only did I sell through all of my cds, but that doesn’t even count the thousands of digital downloads the album has received all over the world.        

Last week a rather large shipment of new freshly printed Key of Sea albums arrived on my doorstep.  As I’ve been busy sending out new shipments to the distributors who carry my albums (like Amazon, Cdbaby, etc.), I thought it would only be fitting to hold my own celebration sale this month to give all of you, my friends and fans a great discount on this album directly from me.      

Key of Sea will be on sale for the entire month of July for a low price of $8.99 (reg. $14.99).        

Please visit the following link to my Music Store:
Jennifer’s Online Music Store
   

Thank you all for your tremendous support and encouragement!      

- Jennifer     

July 6th POST EDIT: 

P.S. You can download my track “A Beautiful Storm” for FREE at the following link, as part of this celebration. Please share with your friends and enjoy! http://jenniferthomas.bandcamp.com/ 

           

      

 

The Waiting Game

Well, it’s been a while since I’ve last posted something on my blog, aside from my final editorial article for the Music Teaching blog I was an author on, I don’t believe I’ve offered an update on here in a while.

Things are going well here, I suppose. 

I’ve just been busy trying to finish this film score project, as well as endure the final hardest weeks of pregnancy.  I can’t lie, but it’s been getting harder and harder to concentrate on music as my body gets more tired and exhausted as I get nearer to my due date in August.  I’ve been asking myself why/how I agreed to do something like this during the final stage of my pregnancy. I suppose when I agreed to this many months ago, I didn’t consider or remember how it feels to be super pregnant (this is my 2nd baby).  But ding, ding, ding, I’ve officially been reminded as of late.

My goal is to finish this project by the middle of July, which puts me about 3 weeks away from my due date.  Reason being, there is no possible way I could concentrate on something like this with a newborn around, even though the director doesn’t officially need the music until after this baby will be born. 

The hardest thing for me doing a project like this, is forcing myself to be creative when I’m not really always in the creative mood. 

Normally I don’t compose unless the muse is there.  It’s a luxury that I admit, I enjoy.  I know there are composers out there who create music like a full time every day job. They have their hours and they force themselves to compose.  I’m just not like that though (which is probably why it takes me so long to put out new music and albums).  And I can’t even begin to express how difficult it is to force yourself to be creative when your mind and body are exhausted (I’m not trying to play the pregnancy card, but, really it is what it is).

Aside from working on this film project when I can, I’ve been yearning to get back to work on my next album.  But, as I discovered a week or two ago, it’s not the smartest idea for me to work on the two simultaneously as I’ve found it hard to seperate the styles.  In other words, when trying to compose for my own solo work, I find myself “stuck in a rut”, stylistically speaking, as any personal work starts to sound the same or similar to the music I’ve been creating for this film.

So as it is, everything just sort of feels like a waiting game right now.

Waiting for this baby to come,

Waiting for inspiration, time, and energy to finish the film score,

Waiting for that (film project) to be done,

and waiting for the time again when I’ll be able to get back to work on my next album with a freshness in mind.

Having said that, I do think that once I finish the score, have this baby, and take a small hiatus away from music for a bit, the first thing I want to do is get back to the basics.  I want to spend a good month or two just practicing again; none of my own music, but the classics like Beethoven, Chopin, Liszt, Bach, etc.  It’s been a while since I’ve given those gentlemen some of my undivided attention and I do believe their lessons in musicality are needed to give me a fresh perspective on the direction I want to take with this next album.  And well, to also give my technical skills a facelift.

But for now…let the waiting game ensue.

Up Next:  I will be holding a sale on Key of Sea during the month of July to celebrate the fact that I’ve completely sold out of my first run of cds and have had to order more from my manufacturer. Thanks to all my fans who have supported me, and helped me to run out inventory. It’s been a good problem to have.  So with my fresh batch of boxes of cds sitting in my living room, I will be celebrating with a sale. Stay tuned…

“Key of Sea” is almost out of Stock

 

It’s official.

The day has finally come when I have to dig deep into my very last box of Key of Sea albums.  There is only a handful left, and then I am going to have to order more from my manufacturer. I’m not sure when that will be though (as it is a huge chunk of change to do so).  So if you have been wanting to get a copy, you’d better hurry.  And do it now too while they are on sale for only $9.99 (reg. $14.99).

Happy Holidays to you!

Holiday Sale on CDs!

I just wanted to let you know that I am offering a fantastic discount on my albums from now until the end of 2009.  They make terrific Christmas gifts and stocking stuffers!  Buy 2 or more cds, and they are $9.99 each.  And for kicks, Key of Sea is one sale for $9.99 each even if you buy just one. Don’t say I didn’t love you this year!  twocds

Click here to visit my Music Store.  Happy Holidays!

Part 1 – Jennifer Thomas LIVE with Jace Vek

This is Part 1 of 2.  (Part 2 coming very soon).  This is the footage from my concert with Jace Vek at Benaroya Hall here in Seattle in December of 2007.  This was such a fun concert to do – as we both felt the same energy on the piano and had a very engaging audience.  This was recorded in HD, so if you prefer the widescreen version you can watch it directly on YouTube (though for some reason the HD button is working, even though I uploaded it in HD).  Hmmm weird wild stuff.

New Review of ‘Key of Sea’ by Michael Debbage

Jennifer ThomasKey Of Sea
Jennifer Thomas
2006/ Tickled Ivory Studios 
51:33
 

Review originally posted on http://www.mainlypiano.com September 5, 2009. Original link: http://www.mainlypiano.com/Reviews_09/Thomas-Key_of_Sea.html

Reviewed by Michael Debbage 

There are two schools of theory as to why 2006’s Key Of Sea has been overlooked to date. The first theory is that the album was way under promoted and the second theory is that this reviewer was clueless and has only just managed to get on the bandwagon. Even if the latter is the correct selection then we are about to make up for that three year oversight. Simply put, Key Of Sea is one of those cross pollinating albums that is not only experimental and intriguing but also exquisite and invigorating. Buried in classical themes and arrangements, Jennifer Thomas also brings beautiful warmth to her music that is countered with melodies that will enrapture your heart. 

Clocking in at just less than 52 minutes, Key Of Sea has a total of thirteen tracks, five of which are adaptation of other composers though personalized by Jennifer with her own variation of the theme. In fact, the album begins with one such arrangement via her take on MacDowell‘s Piano Concerto No.2 courtesy of her interpretation entitled “A Beautiful Storm”. The song begins slowly as Jennifer continues to work the entire range of her piano, complimented by sweeping orchestrated strings. The song is moody and intense and is a very impressive opener. Equally as remarkable is her interpretation of J.S. Bach “Cello Suite No.1 in G Major” courtesy of “Suite Dreams”. This song also features fellow artist and mother Carolyn Southworth on violin and it is utterly breathtaking. Turn up the volume to fully enjoy this beauty.

But Key Of Sea is not just about Jennifer’s interpretations of someone else’s music. Pay close attention to her own compositions and you will quickly note her gift of composing her own material. Skip forward to “Will’s Song” that is both reflective and rambunctious with its delicate piano work countered by her colorful orchestrated string arrangements. Equal to the task are the extraordinary “Old Movie Romance” and “Pure” that focus more on Jennifer’s top draw piano work that is skillful, precise yet fluid and warm. Much like her peer William Joseph, she has the keen sense and ability to present her gift of playing with a sense of warm affection and adventure. This is best heard on the thunderous “The Tempest”, though at times its seductive qualities would suggest renaming it “The Temptress”. Either way the results are sensually sumptuous. 

Key Of Sea represents Jennifer Thomas’ debut album, yet from the sleeve photography, production to the astonishing musical contents, her freshman offering are more in line with a veteran who has been creating music for years. Thus, her immediate problem will be how to follow up with this stellar debut. Apparently, she has just released a collaborative effort with the equally talented artist Carolyn Southworth entitled The Lullaby Album. Word on the street indicates that her follow up effort is just as breathtaking and fresh as her debut Key Of Sea. Needless to say one can only expect many more brilliant musical moments from this relatively newcomer Jennifer Thomas.

Try(ials)

 

Part of being an independent artist is the fact that YOU are in charge of your own destiny.  Whether that means you work your butt off for a year to put out an album and let it sit because you’re so exchausted, or you turn right around and start marketing that puppy straight away.  Whether you are writing new music, or not. 

It’s. Up. To. You.

You are constantly, constantly, conSISTENLY trying.

This past week was kind of an odd one for me.  I’ve been really caught up in trying to market my new album – which takes a lot of time, by the way.  So much time, in fact, that it’s nearly impossible to ever be finished marketing. New stradegies and marketplaces open up all of the time.  Others close down (eh HEM download.com).  I think it is safe to say that I am STILL marketing Key of Sea, which I released 2 and 1/2 years ago.  And it’s probably taken this long to see the level of popularity for it that is encouraging, partially thanks to ”Jennifer Thomas Radio” on Pandora developing a huge following. 

So to embark on the process of marketing a new album is a bit overwhelming at first.  You never feel like you are going to get all the things on your list completed. And all of the places where you worked so hard to get your first album into, it seems like starting all over again with submission processes.

This past week I have feeling a bit overwhelmed by it all.  Consumed by it and allowing the stress to really get to me. That, and also trying to remember exactly how I put on this thing called “thick skin”.  Oh that’s RIGHT!  As an artist I put myself out there to be critiqued and so it’s expected and I am uneffected. 

He-he, can I please laugh at that statement?  Because it is so not true.  Well,…unless when it comes to critique on something where I am actually not happy with the work myself. So in a way, I know and expect the negative response.  (I’m speaking of my song “O Mio Babbino Caro” from Key of Sea…a song which even though I think it is hip, in hindsight, I don’t think it was a great fit for that album and YES I’ve reaped the blessed recorse of comments from opera purists).

I digress.

My point is – there is a LOT that can overwhelm you as an indie artist.  It has me lately.

And then something happened that made me realize how utterly unimportant stuff like this is, and how precious LIFE is…

Jace Vek and I at our Dec '08 Concert in Seattle

Jace Vek and I at our Dec ’08 Concert in Seattle

A fellow musician collegue of mine, who is also a dear friend, recently experienced a tragic trial of his own. 

On the afternoon of July 25th, Jace Vek was attacked from behind as he was walking up to his front door.  A group of men, one of whom had a brick, bashed the back of his head in and then they all proceeded to beat him in the face and body until he was left for dead.  In fact, he was dead when he arrived at the E.R in the ambulance.  They had to administer CPR and stick a tube down his throat.  He suffered 2 skull fractures and several concussions (among many other things).

Nobody heard from him in a week, and when he finally announced what had happened, it shocked me to my very core.  This just DOESN’T happen to people I know.

He is home resting and recovering now, but I can’t help thinking about him every day and what happened.  It sure does make you realize how petty every day worries are.  The neat thing is how incredibly forgiving Jace has been to the perpetrators, whereever they are.  He wishes them to find joy and correct their ways, never again to do this to another human.  He prays for them. 

I pray for Jace.

What an interesting week.  I guess to sum everything up, all we can do is to take everything one day at a time. Keep trying.  DO something every day.  BE grateful.  Be yourself.

Trials are a part of life.  Regardless, you just have to keep TRYING.

O Mio Babbino Caro – The Inside Scoop

Some of you have been asking about my version of “O Mio Babbino Caro” and so I thought I would share…

When I was writing the music for the album, and deciding on the track list – I knew right off the bat that OMBC was going to be one of the most controversial songs with classically-minded musicians.  The whole intent was not to re-arrange Puccini’s song, but to simply take the melody and put it to entirely new music.  (I think some people were expecting to hear the original version and so the new one took them by surprise).

When you listen to the lyrics, the girl is singing about throwing herself into a river if she isn’t allowed to marry the man she loves.  Simply put – I gave the song an entirely darker side.  Minor key, beats, unresolved 2nds in both the piano and French horns.  And at the end of the piece, if you listen closely to the mens chorus, you will hear Orff’s “Carmina Barana”.

This was also a killer of a piece for my vocalist, Erika Nisbet, to conquer.  The original version is in 6/8 time, and in 6 flats – whereas mine is changed to 4/4 and changes from 6 flats up a couple of steps to the key of A Minor.  I think she did an amazing job – certainly far from anything I could ever crank out of my own wimpy “background choir voice”.

With all of the studio software out there these days where you can manipulate the voice, tune it, add effects, Erika’s is simply pure and raw.   I think we only plugged in the intonation corrector on 2 notes in the entire piece, and not by much. 

If anything, I was influenced by Paul Schwartz’s style of rearranging arias into a more pop-classical-fusion type of sound.  I would never even dream to compare myself to him, so you should just check him out yourself. www.paulschwartz.com, or better yet check out his myspace page – http://www.myspace.com/paulschwartz  

- J